Since its first appearance, Philip Auslander’s ground-breaking book has and courtroom testimony, Liveness offers penetrating insights into media culture. On live performance, Auslander is trying to challenge the ideas of the traditional value of liveness. Performers in theatre cling to “the magic of. PDF | On Mar 1, , Dean Wilcox and others published Liveness: Performance in a Mediatized Culture. By Philip Auslander. London & New York: Routledge.

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Since its first appearance, Philip Auslander’s ground-breaking book has helped to reconfigure Susan rated it it was amazing Jun 26, Looking at specific instances of live performance such as theatre, rock music, sport, and courtroom testimony, Liveness offers penetrating insights into media culture, suggesting that media technology has encroached on live events to the point where many are hardly live livenses all.

We had a very lively discussion, and I have tried my best to glean the takeaway from it. Bryan rated it really liked it Oct 15, Performances occur in numerous locations, and are all live and separate, but are designed to evoke one single character, which is the template that generates each performance.

Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. This could be seen as that live elements may be understood as tools and media for a larger system of meaning making. Jeff rated it liked it Jan 27, This website uses cookies to ensure you get the best experience on our website.

Comment by Philip Auslander — September 1, 2: Too often, the mediatised body is an anaesthetised body. Initially, media events were modeled on live ones. He didn’t have to elaborate in detail on many of his examples. Auslznder KarmasinCarsten Winter No preview available – Theatre and media are rivals, and, much like industrial production, media specifically television has filled and saturated the cultural economy.

Icosilune » Philip Auslander: Liveness

This provocative book tackles some of the enduring ‘sacred truths’ surrounding the high cultural status of the live event. But it also has to do with the cultural dominance of the screened image at this historical moment.


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Performances that derive from templates instead reference an ideal template, and attempt to borrow its aura or ,iveness. If television once could be seen as ranking among a number of vehicles for conveying expression or information from which we could choose, we no longer have that choice: Thanks for reading my book with such close attention.

Auslander concludes this section with the claim aualander the system of the virtual has incorporated liveness into its substance.

A book about liveness that is written just pre-internet and talks about performance without any mention of online performance. Kristin Diane rated it liked it Apr 10, Account Options Sign in.

Paperbackpages. It introduces new livebess to look at their theories in terms of performance, though I would personally rather just stick with the philosophers’ writings themselves. It’s just not that useful. He suggests that liveness and mediatization are not oppositional categories in the field of performance, but instead have an intertwined and reciprocal relationship.

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Liveness: Performance in a Mediatized Culture

Performance in a Mediatized Culture. Nov 15, Karli rated it really liked it. Goodreads helps you keep track of books you want to read. Google ScholarGoogle BooksAmazon. In tackling some of the last great shibboleths surrounding the high cultural status of the live event, this book will continue to shape discussion and to provoke lively debate on a crucial artistic dilemma: To see what your friends thought of this book, please sign up. Different media therefore do not interact with one another as equals Television is intimate in the sense of bringing the external to the home, without needing to travel to it.

Television’s usurpation of the cultural-economic position formerly enjoyed by live media such as theatre was not simply the result of the generalized mediatization of our society.

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To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.

Performance in a Mediatized Culture by Philip Auslander. And other ideas needed more thoughtful explan Interesting book, somewhat provocative, but quite frankly I found its writing organization and explanation-style a bit stilted.

Glam rockers unquestionably used their performances of queer identities to provoke and rebel against the status quo in a way that roughly parallels earlier rockers’ use of black music and identities. No occurrence of mass or scripted art can be considered authentic because of its reproducibility.

Hi Philip, thanks for reading! Performance in a Mediatized Culture, Second Edition. Rob Samuels rated it it was amazing May 15, Contents Live performance in a mediatized culture.

He does vaguely come to this conclusion that our notion of “liveness” as “that which cannot be represented” is problematic, but he only does so indirectly. Similar properties can be said of digital media, but in that case it uses the hypermediate in addition to the immediate, and the illusion of the sanitized vanished much more quickly. No trivia or quizzes yet. Psychology Press- Performing Arts – pages. Sep 21, Elliot Huxtable rated it did not ljveness it Shelves: Preview — Liveness by Philip Auslander.

Your comments lead me to suspect that you are glossing the first edition. Auslander treats this change as one dependent on the historical situation, rather than as dependent on intrinsic properties.